Project Development



After my first feedback tutorial following summer, i decided to select pages/drawings out of my summer work and begin a new sketchbook as i felt a lot of the work was no longer important to the development of my project. i began the next stage of my project by going to the Whitworth Gallery to see the William Kentridge 'Thick Time' exhibition. One part in particular stood out to me, this was entitled "O Sentimental Machine". A room set up to replicate a Hotel Lobby, this installation made me recognise the significance of composition within a space, and how every object is specifically chosen, positioned and has now earned a home within this space.

After drawing from this exhibition, i began to consider my own space or 'personal museum' that i have put together since moving back to uni. Looking at both the conscious and subconscious decisions that i have made regarding what items i decided to bring with me, where they belong, what they belong next to and why they now live where they do.

The idea of a Personal Museum came from my CP essay i wrote last year about the importance of a certain object. Below is a section from the aforementioned that i want to focus on and explore within this project.

"I began to think that maybe our ‘personal museums’ allow us to give more meaning to our objects than they otherwise would have, possibly providing a level of comfort as we surround ourselves with objects and photos that we have given meaning and importance to by giving them a place in our every day surroundings. This suggestion of ‘comfort’ links to the ideas that Csikszentmihalyi has raised that ‘one consequence of our evolution as cultural beings has been an increasing dependence on objects for survival and comfort.’ (Csikszentmihalyi, 1993 :20). "



I began using collage as a method of drawing to enable me to pick up and move around the different elements of my drawing, like i would within my room.



I really enjoyed working with collage as i don't frequently use it, and despite being pleased with the look of these drawings, i struggle to see how they can be translated into textiles as they are quite literal drawings and this is not how i like to work in fabric. i want to try and develop this idea into something more visually exciting, without losing the context behind the work.





Comments

Post a Comment

Popular posts from this blog

PULP

Image
23rd September  PULP AIM - use recycled paper waste to create pots, vases and bowls that can be used in a variety of ways (both functional and decorative) How will i find the best method? test different types of paper different ways of moulding the vessels different ways of adding colour  different soaking times/amount of water length of drying time before de-moulding adding in other materials? thickness of paper - how does it affect stability/ability to dry fully First test -Using waxy papers and crushed broken old paper bowls and tissue.  -Using a mix of fibres to see if that allows the pulp to hold together better. -Left to soak for a couple of hours then blended with a lot of water -Applied to mould still quite wet and applied in a medium thickness. Thickness worked well/held together relatively well but the removal from the mould is what cracked the edges - need to find a better way of doing that. Maybe grease mould/add a laye
Read more

PULP Development

7th October PULP development  Evident in the previous blog post, my pulp pieces have not been very successful thus far. I decided to proceed with the project i needed to switch up the method drastically, my main problem before was the removal of the pieces from their mould.  My plan to eliminate that problem is to make flat pieces of paper pulp and mould them once they are dry/partially dry. This stage of the experimentation will focus mainly on drying time and thickness of the paper. The videos above show the process of making flat sheets of paper using a frame and deckle and pulp. Since my frame is so small i am attaching 6 pieces together to allow me to create larger pieces. The problem with pushing them together is that you end up with weak points in the paper so i will try and craft a larger frame using a photo frame and some fine mesh of some sorts. I'm going to leave this piece to fully dry and then mould it into a shape. In the meantime i will continu
Read more

Evaluation – Self Initiated

Image
In my self-initiated project, I aimed to push myself to work with materials I don’t regularly work with as I have found in previous projects it is easy to allow yourself to become comfortable with materials.   So, after deciding in wanted to focus on rock climbing walls, and the feeling of climbing as my theme I began making 3D samples, using different materials with 3D capabilities such as clay, sponge and fabrics filled with rice/wadding.   Visually, I found my samples really interesting but felt the initial ideas I wanted to portray had been lost through my making process. This is when I started adding more interactive components into my samples. This is also when the idea came to build a non-functioning climbing wall. Something that would appear to support you but in actual fact would cause you to fall, emulating the feeling I have when rock climbing. For example, below is a sample made from Baked clay and para cord, seemingly strong but when weight was ap
Read more